Wednesday, 09 October 2013 11:35

Back to Basics Yoga4Tango Beginner’s Class

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This weekend we were stretching, balancing and staying grounded for charity at The Ultimate Danceathon for Save the Children. It was wonderful to see and welcome new faces, and to enjoy our Yoga4Tango practice in a new venue, at the Negracha London Tango club. I do enjoy practicing yoga in new environments, and I love that the Yoga4Tango sessions travel about to different Tango venues.

I have to say that I was expecting a very chilled out session; nothing too strenuous or sweaty, as we were to be taking the Tango classes afterwards and also dancing Tango at the Masked Charity Ball. Going back to basics doesn’t necessarily mean you’re going to be given an easy time though, as my fellow Tango-yogis and I were soon to discover.

I don’t think we were quite prepared for the ‘Warrior Pose’ strength exercises; it is not an easy task to keep your arms extended for lengthy periods of time. The pressure on the muscles in your thighs can also be quite intense if you are not distributing your weight onto the back leg properly; which is an easy thing to forget when you are leaning forward into the ‘Warrior Pose’.

With yoga you really do have to make sure you bring your body and mind in optimum condition. It isn’t about lying around with your eyes closed in a variety of cool-looking positions. Yoga requires concentration, focus and strength, whether you are taking it easy or pushing yourself to the limits. I think you get most out of a yoga session, be it a serious workout or a restorative one, when you approach it with one hundred per cent effort, and fully immerse your body and mind in the overall experience. I seem to get a kind of clarity at the end of a session when I have given it my all, which then transfers into different areas of my life.

I don’t think I was one hundred per cent ‘present’ in this weekend’s ‘Back to Basics’ session, because I am suffering from an insistent cough which affects my ability to take part in the deep breathing exercises. Breathing is an essential part of yoga, it helps with everything! So not being able to inhale deeply for fear of collapsing into a coughing fit did get me down a bit during the session, and I felt less inclined to take part as fully as I usually would.

I was however, pleasantly surprised at how much easier it was for me to move through the sequences in comparison to my first ‘Back to Basics’ class ten weeks ago; which proves that I have come a long way, and that I must be much stronger than I used to be. Sometimes it is difficult to judge for yourself whether you are showing progress, but attending a ‘Back to Basics’ session helps to highlight how far you have come.

We concentrated on really grounding our feet and hands into the floor to create stability and body alignment. The instructor’s descriptions at the beginning of the session drew our attention to the importance of using all four corners of the palms of our hands and the soles of our feet to push down, and feel the energy surge down into the mat. He explained that we can experience the same sort of connection and springy energy transference dancing tango, when we embrace and press our palms into the palms of our dancing partner’s hand. The same goes for our feet; by working on the relationship between the four corners of our feet and the floor we can discover a more satisfying experience of dancing, and one that is both balanced and responsive.

I was interested to see what effect yoga would have on dancing when practiced before and after, so it was good to have the opportunity to practice yoga before the Tango classes and The Masked Ball. I already know that I thoroughly enjoy the restorative Yoga4Tango sessions on Saturdays; they are a really nice way to come down after taking the Tango classes and dancing at the afternoon Milonga at Tango Garden. In a strangely opposite way, a yoga practice before dancing seems to energise the body and put your mind into a relaxed and clear state.

The Saturday and Sunday Yoga4Tango sessions are very different. Sundays are an invigorating and very physical learning experience, whereas I find the Saturday evening sessions much more spiritual, and I seem to be able to connect more with my inner self, and I come away feeling much more philosophical about life.

Last Saturday, Franzi, our instructor, ended the session with a quote that touched my soul for some reason;

“To be fully alive, fully human, and completely awake, is to be continually thrown out of the nest. To live fully is to be always in no-man's-land, to experience each moment as completely new and fresh. To live is to be willing to die over and over again.”

Pema Chödrön.

I’m not sure why it touched me. Maybe I have just had a rough week, and it was nice to be reminded that life is challenging for positive reasons. That’s another thing I love about yoga, it isn’t just about exercise; it is about tuning in, and gaining insight and illumination.

I am looking forward to getting rid of this cough so that I can fully open up my chest and take in all the air I need to get the most out of my yoga practices. At the moment I feel I am being stopped halfway, unable to reach the heights of fulfilment I crave. I wonder though, how much of it is physical prevention and how much is in the mind. The more you think you can’t do something, the more crippled you become.

Thursday, 03 October 2013 05:47

Fluid Movements and Restorative Yoga4Tango

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This was an exciting weekend for me. Not only did I attend the weekly Sunday class, but I also attended the new Saturday Restorative Yoga4Tango Session with Franzi after the Tango classes and practica at Tango Garden, in order to get the full Tango/Yoga experience.

It was new and exciting to practice in a new venue with new faces, especially in the evening straight after the afternoon Tango. The session had a completely different vibe and structure. The experience was very continuous and calm, which suited the venue with its high ceilings, and windows looking out into the evening as night fell.

I thought that practicing yoga after dancing all afternoon would be a bit of a slog, but actually it was a wonderful come-down from the high-energy of Tango. We took everything nice and easy, and for newcomers it was the perfect yoga beginner’s class.

I went early to the Tango Garden intermediate class, and was then dancing for the length of the practica. It felt like after using my brain to concentrate and learn in the class, and then my body to dance in the practica, the yoga session at the end of the day allowed me to let go of all the frenetic energy, and focus instead on my soul. I don’t consider myself to be a very spiritual person, but yoga has a funny way of opening your mind to these things, if you let it.

The focus of the Saturday session was on breathing and fluidity, flowing through the sequences in an almost meditative state, rejuvenating the body and calming the mind. I really enjoyed it. The instructions were clear and mesmerising, and visually inspiring. My favourite part was at the end where we lay in the still silence and let everything melt away. Little tea lights were lit all around the edges of the hall, and with our eyes closed, we listened to the instructor’s hazy descriptions of fields, flowers and sky. I left feeling very satisfied, calm, and I have to say that I slept very well indeed!

As you can imagine, I felt particularly prepared for the class the next day. The Sunday Yoga4Tango session reinforced last week’s teachings. We were encouraged to experiment and explore fluid movements further by practicing the Ujjayi breath and ‘letting go’ of our muscle tension as we moved smoothly into each pose. First we went through the sequences in a structured manner and then we were set free to do it by ourselves, in our own time, counting our own breath and going from one pose to the next once we had prepared ourselves individually to move further on through the sequence.

I really like being given the freedom to move through the sequences independently. It feels very raw and natural and personal. Like I have a personal relationship with my body and the yoga itself, and we are having our own steady conversation through these fluid movements, with each of my muscles taking part in the conversation that is being led by my breath. I feel that when you bring your focus inward, you can completely surrender your body and your mind, and just go with the motion; a bit like allowing yourself to drift in water, back and forth, and mindfully moving each part of your body through the waves.

Goodness, listen to me! I sound like a free-spirited hippy, hee hee. It is a good feeling. I am looking forward to the midweek early morning Yoga4Tango practice session next week, and working on my Ujjayi breath. I have been finding it difficult because I have bit of a cough and the deep breathing triggers it and jerks me out of my poses, but we’ll see what happens.
Wednesday, 25 September 2013 11:29

Creating an Inner Glow

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I have just come back home from a Yoga4Tango early morning mid-week practice session and I am feeling refreshed, focussed, and ready to embrace the day. It is my first experience of practicing yoga first thing in the morning, mainly because I am not normally a morning person; but would you mind if I said that the experience has quite literally opened my eyes?

The practice sessions are silent, without instruction, and they provide an opportunity to go through the sequences that were taught in the previous class in one fluid motion by simply following the instructor. I wanted to wait until I had attended the practice session before writing up my blog this week so that I would be able to express what it is like to move through each sequence and pose independently, without stopping for instructions, or theory, or having to come out of my meditative ‘zone’.

Also, the focus of our last class was on incorporating the deep breathing technique or Ujjayi breathing throughout our practice in order to build up a relaxing, yet energising inner warmth, to facilitate fluid movement and mental concentration. I figured that to get the most out of this deep breathing it would be best to experience a kind of continuity that perhaps isn’t one hundred per cent possible when actively ‘learning’ in a lesson situation.

I found that the deep breathing felt much more natural during this morning’s silent practice than during the classes. I suppose this is because during the class my attention is divided between keeping up with everyone else, listening to theory and verbal instructions, and learning more about my body as the yoga assistant comes around to re-adjust me. There is a lot more going on, and of course it is all necessary in the class; but my experience of the silent practice session has made me realise the importance of taking away what I learn in the class and practicing the sequences in full by myself, either at home or at a silent practice session.

It was wonderful to practice yoga before the day had started, in a peaceful room with soft music playing. There was still the sound of the city outside; but although I could hear the traffic and external noise, it didn’t penetrate my consciousness enough to affect my focus and the inner calm that was being created by the deep breathing. I think I finally get what our instructor always refers to as being able to clear your mind yet still be aware of where you are, and being mindful of the space and activity around you, not allowing your mind to wander, and always bringing it back to your breathing.

It really did feel like I had entered a realm of my own, and even though I was aware of the fact that I wasn’t the only person in the room going through the sequences, and the city was buzzing away outside the window, I still felt very focussed on myself; on my breathing and on what my body was doing. It felt very natural and I felt completely in control.

I don’t think I’ve quite got the hang of the Ujjayi breath, mine doesn’t sound like the ocean just yet. I can definitely feel the difference though. It feels like I am sucking up air through a hollow tube that runs all the way up my core to my throat, and then pushing the air back down through it again. It is a very nice relaxing feeling and I feel it helps to centre and ground me.

In fact I have proof… This morning in the practice session when we came to the Tree Pose, where I usually wobble all over the place and eventually topple over, I was as sturdy as an actual tree. I couldn’t believe it. And then when we extended the leg back and reached forward, I was able to stretch out so pleasantly, and without feeling like I had to tense up every single muscle in my body and twist at awkward angles to stay in the pose. It was like a miracle had happened, and I was secretly smug.

Perhaps all the deep breathing helped to expand the inside of my body and create balance? In the class the instructor touched on an idea that I thought was very interesting and quite profound. He said that there is a lot of space inside our bodies. I immediately associated this idea with a video I watched recently online where a science teacher presents his class with an empty mayonnaise jar; he fills it to the top with ping pong balls, and asks the class if the jar is full. The class says yes, and then the teacher takes a smaller jar full to the brim of pebbles and empties every single one into the mayonnaise jar of ping pong balls. The class agrees that the mayonnaise jar is now full, but the teacher then produces yet another jar full of sand and empties all of it into the mayonnaise jar of ping pong balls and pebbles. The class is adamant that the jar is now definitely full… and what does the teacher produce next? A can of beer; he empties the entire thing into the jar.

I have honestly never thought about the physical space inside my body before. I always imagine that it is crammed full of organs. It makes sense though, that if you breathe deeply; you expand and create more space inside. Most of us never practice deep breathing and we are therefore none the wiser that there is actually a lot more space in our bodies than we imagine. Deep breathing allows more air into our bodies to circulate, causing more friction and therefore generating heat. When you breathe deeply, you expand your body, and you claim the space around you, and assert the space inside of you.

I’m not sure how, but I think that breathing deeply, continuously for an hour, gave me the strength and stability to hold that Tree Pose and then extend without falling over. I left with my inner glow radiating outward, and I swear to God, four different people said good morning to me with a smile on my way home. This is London we’re talking about, nobody is interested in anyone else before 9:30am, yet I got four hellos from complete strangers. I guess my deep breathing must have generated a lot of positive energy that bounced off me in all directions this morning; either that or I just felt so good that I had a cheesy grin plastered to my face, and walked down the street with a bounce in my step.

Wednesday, 11 September 2013 11:12

Contra Muscles Working in Opposition

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I love how these yoga classes open up my awareness of how the anatomy of my body works, and make suggestions for subtle changes and shifts in muscle tension and release that allows me to expand the movement of my body even further. It is a wonderful feeling to allow certain muscles to relax and expand by focussing on one muscle’s tension and on your breathing, and then feel yourself able to stretch even further into a pose. It is a constant reminder that you are always capable of more, and that only your own mind is hindering your body’s freedom.

Last week we focussed on what our instructor calls ‘contra muscles’. This refers to the fact that muscles act in pairs and in opposition to one another. We used this information to concentrate on the contraction of one muscle and the subsequent lengthening of the other.

To illustrate, we were all asked to sit on the edge of a platform with our feet planted flat on the floor, so that our legs settled at a right angle. We were then encouraged to explore which muscles in our thighs we could feel contracting when we alternately pressed our heels into the ground, and then our toes.

My personal experience of this exercise was that the differences I felt were very subtle, almost unrecognisable. I suppose this is partly because my leg muscles are not very well developed, but also because I am not used to having to differentiate between the different muscles in my legs and so the feelings were unfamiliar. As long as my legs are working and I can stand up and walk about, that is all I am generally concerned about.

By developing an awareness of how the muscles in your legs actually work though, you can then use this information to your advantage when dancing to gain a much better sense of grounding and fluidity. You will be able to recognise which muscles you are contracting and using for stability, and which you are then able to lengthen and allow for larger movement. The result, I suspect, is a much more dynamic dancing experience, for you and for your partner. Walking about in your day-to-day life is after all very different from walking on the dance floor!

I was interested to learn how many office-workers develop bad habits for their leg muscles by sitting incorrectly, which means that they are not engaging their hamstrings. This happens when the feet are not fully placed on the ground. I am a massive culprit! I tend to always sit with my heels pressed up against the legs of my chair so that only my toes are in contact with the ground. I also sit like this when I am on the bus, or on the tube. I have been sitting like this for years so it makes perfect sense to me now why I can’t touch the floor with my hands whilst keeping my legs perfectly straight – my hamstrings are way too short. I imagine that wearing high-heels for years has not exactly helped matters either! All is not lost though; apparently it is the perfect opportunity when sitting at the desk, to use one’s feet to practice engaging different muscles in the legs, in the same way that was demonstrated in class, with us all sitting on the platform.

The whole point of these exercises is to encourage us to be conscious of which muscles we are using. We can then transfer this awareness to the dance floor in order to help improve our Tango walk. In order to walk with elegance and be in control of the walk instead of falling into each step without thinking about it, we have to be conscious of how our muscles are working. In the same way, we can experiment with the use of our stomach muscles in order to help open up the body and keep it aligned. It is all about contracting one muscle, while releasing and expanding the opposing muscle at the same time.

It seems like quite a lot to think about while you are dancing, but I guess if you take your time to enjoy the experience of connecting with your own body whilst in your partner’s embrace, the result will eventually be instinctual. I don’t know about you, but I find that most of my focus goes into trying to remember to relax and expand, rather than contracting my muscles. Contracting and tension seems to happen without me thinking about or even being aware of it, often to the point of me suddenly realising that I am moving like I’ve got a stiff pole down the back of my neck! During the yoga classes the yoga assistant constantly has to readjust my body so that the tension in my shoulders releases and I can relax better into the pose. For me, developing an awareness of how sets of muscles react in opposition to each other will hopefully remind me to let go and lose the tension that builds when I am deep in concentration, trying to get something right.

Tango and Yoga is not about forcing your body to do what you want it to do, it is about playing with elements of control and freedom, and this all starts within the mind. Focus and free your mind first and let your body do it’s thing. Sometimes when I am practicing yoga I feel like there is a dance happening within my own body, muscles are responding to each other, my limbs are working in unison with my mind and my breathing. It is all one beautiful movement that can only happen when everything connects.

Wednesday, 04 September 2013 10:55

The Transition to Organic Energy

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The ‘Downward Dog’ pose in yoga is referred to as one of our ‘resting poses’, but to me it feels like jolly hard work! Our instructor describes his feelings whenever he is asked to go into ‘Downward Dog’ as relieved, happy and ready to ‘let go’. When I prepare to go into the ‘Downward Dog’, I am pretty much focussed on the fact that my body never does what I want it to do. Grrrr!

The ‘Downward Dog’ pose is the one where your hands and feet are flat on the ground and your bum is up in the air so that you look like a nice clean pyramid with your back and legs straight. The reality in my case is an awkward, clumsy and bent kind of hill. After the last class though, I now feel that I know what my problem is. It is all about the transition from tension to organic energy, and as our instructor expresses; “letting go, while remaining strong and grounded.”

The lesson was made up of our usual sequences, prominently punctuated with ‘resting poses’. The idea was for us to get used to creating physical energy within our bodies during each strenuous sequence, and then ‘letting go’ while keeping that energy and awareness intact by transitioning to ‘organic energy’. I must admit that I went through most of the class not really knowing what was meant by ‘organic energy’, and I didn’t want to interrupt the flow of the class by asking my silly question. So I went online afterwards to do a bit of research, and what I discovered was rather interesting. Let me share…

  • Muscular Energy moves from the outside inward, toward the core lines of the body. It hugs the muscles to the bones on all sides and integrates the limbs and joints, creating more stability, (stirum). It is this conscious flow of energy that creates over all physical integration, strength and stability in a pose. It draws the various parts of the outer body closer together. By initiating Muscular Energy, we create more awareness and sensitivity. Muscular Energy initiated by and is reflective of the strength of our intentions, desires and will.”

  • Organic Energy moves outward from our center, through the core lines of the body to the periphery or edges. It is a powerfully expanding, lengthening and widening energy that radiates out in all directions. Organic Energy is expressive and lengthens the limbs and opens the joints, widens the limbs away from each other, and expands the muscles and skin away from the core.
    These actions are always done in a balanced way for optimal flow of energy and intention. Muscular Energy is always initiated first, then followed by Organic Energy, both are always maintained in balance throughout a posture or a vinyasa or flow of postures.”


    Ref: http://sacred-earth.typepad.com/yoga/2006/09/muscular_energy.html (04/09/2013)

These descriptions remind me a bit of when I watch couples dancing Tango Nuevo. They seem to have that springy expressive flow with surges of energy building up and sweeping through them; they look strong and in control, yet simultaneously look as though they are constantly ‘letting go’. It is quite beautiful and mesmerizing to watch, sometimes I even go into a bit of a trance when I watch a couple dancing like that! I wouldn’t be surprised if the experience of the transition from muscular to organic energy in yoga might be well described as meditative too. Perhaps it is?

When we dance Tango there are those disconcerting moments where we lose our balance, and this is because we are experiencing a disconnect, which means that the mind and body is out of sync. Using Yoga to practice our transition to organic energy, and letting the tension in our bodies go can help with this.

It might all sound a bit complicated, but the principles are simple. One of the most important things to remember when dancing Tango or practicing Yoga, is to check the foundation principles; Keep your breathing pattern going in order to maintain the mind/body connection, and remember to spread your weight by opening up your hips and chest, and keeping grounded by pushing your feet into the floor. Once you have mastered that, then your mind and body are in place, and anything is possible!

I realise now that my struggle to feel that the ‘Downward Dog’ is a ‘resting pose’ is due to the fact that I am not ‘letting go’ of my muscle tension and making the transition to organic energy. When I was advised to let my head hang down heavy, it helped and I could feel all of the tension in my neck and shoulder release. That was a great feeling, and I felt I could then focus even more on pushing my hands and feet into the ground and lengthening my back to achieve that streamlined pyramid, or at least my personal version of it, legs rather bent! Apparently it is acceptable at this stage to have bent legs though, and the more flexible my muscles become the better my ‘Downward Dog’ will look.

Anyway, it’s not about what you look like in Yoga or Tango, it is about how you feel. Do you feel grounded and balanced? Do you feel strong and in control of your energy, your body, and your movement? Do you feel good? I repeat – do you feel good? I’ll leave you with that thought, until next week.

Thursday, 29 August 2013 04:42

Reflecting on ‘The Resting Pose’

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I was sad to have missed the Yoga4Tango class last week. Unfortunately I haven’t been well and so I have pretty much locked myself away, partly not wanting to spread my germs, but mostly because I was feeling sorry for myself. The result though, was that I was quite disappointed in myself for not pushing past barriers that I knew didn’t really have to be an issue. I spoke to one or two Yoga practitioners last week who encouraged me to go to the class and the practice sessions even if I wasn’t feeling very well, because the sessions would in fact be healing and have a positive effect on my body and health. I was encouraged to give it a chance, but I ignored the advice and instead I have felt more rubbish than I needed to feel this week. Cue violins. I tend to have high expectations of myself and constantly beat myself up mentally over any perceived personal failure.

Why am I telling you this? Well I believe that in our classes we have been encouraged to take the time to prepare our bodies for the poses, holds and sequences mentally and physically by breathing our way into it, and establishing balance and grounding. All of this is a mental preparation that has a positive physical effect on us. Once we feel steady and strong, we then have the mental and physical capacity to push ourselves past boundaries and ease into the next level of the pose or sequence, and often during the lessons I have felt quite surprised at what my body has been capable of. All it takes is a little bit of self-belief, focus and determination. It is easy to give up before we have pushed ourselves to the real limit, not because we think it is impossible to reach, but because we can’t be bothered, or we allow fear or insecurity to stop our progress.

In Tango this happens all of the time. Instead of summoning positivity, we may envelope ourselves in a dark cloud of doubt and end up not getting the potentially enjoyable and satisfying experience and sense of achievement we normally seek. Many a time, I have gone to a Milonga in the wrong frame of mind, and sat in a corner with a scowl on my face wondering why nobody wants to dance with me, when really I have put myself under unnecessary pressure and ended up feeling frustrated for not living up to my own high expectations. You have to bring with you the right attitude if you are to achieve your goals. This is the same whether you want to enjoy Tango, whether you want to push through your perceived limits in Yoga, or whether you allow a bit of a cold to stop you from doing the things you want to do.

On the other hand I suppose it is always important to remember that there will always be the possibility of failure, but it is how you perceive that failure that makes all the difference. Do you let it affect everything? Or do you just assume your resting pose and re-group until you are ready to carry on? A resting pose therefore is not a sign of defeat; it is a sign of respecting your body and reconnecting your mind with your body’s needs.

Maybe I will just see this week of illness as an extended resting pose. Now I am ready to rise and start again.

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